Routes to Access Roundtable Event

A huge thank you! Last week we had an inspiring and insightful time at our Routes to Access roundtable event, discussing the future of adaptive audio and vision in immersive experiences.

A massive thank you to everyone who joined the conversation – your expertise and perspectives are invaluable in shaping more inclusive creative experiences. We’ll be sharing some of the insights soon… watch this space!

Special thanks to our friends at Henshaw’s, Science and Industry Museum, and Fusion LX for both their support for the event and throughout the project. A final big thanks to Arrive for hosting us in such a fantastic space and MITIH for all of their help and guidance.

#RoutesToAccess #InclusiveDesign #ImmersiveExperiences #AdaptiveAudio #MediaCity #CreativeAccessibility

20th Anniversary

Fuzzy Duck is 20! It’s nice to reminisce to see the way the business has changed as well as the work we’ve produced. Progress often depends on perspective, we say that we’ve grown from a room above a barber shop to a thriving creative studio in Media City – this is true but at the time, the Barber Shop was our 3rd home and that felt like we’d made it.

We craft much loved stories…this is ours.

BEYOND: Routes to Access

The Ducks were at the BEYOND Conference this week, looking at creative innovation for business at MediaCityUK.Nigel represented the Ducks, speaking about a passion of his in accessibility; specifically the research project through MediaCity Immersive Technologies Innovation Hub on accessibility within an exhibition space.

Routes to access is a research project explores how adaptive technologies can make in-person immersive experiences more accessible, especially in the creative industries. With input from industry experts, we’ll look to create a toolkit for selecting technologies and a pathway to developing prototypes, turning accessibility into a source of creative innovation.

We’re working with stakeholders, including people with accessibility needs, to find new ways to adapt real-time content for individual users. Your input is key to making this project a success.

 

Join us in phase one by completing the short survey below and sharing your insights. Together, we can make creativity accessible to everyone.

https://forms.gle/rxvkrefGSJZnngj9A

MPA: Native Creatives 24

It was great to support ‘Native Creatives’ by the MPA for the second year, hosted at the fantastic @ua92mcr.

This event showcases the creative, digital, and media industries in Greater Manchester to sixth form, college, and university students eager to explore their future careers.

Our Head of Media, Matt, joined the panel talks and had the opportunity to present to several student groups, sharing insights into life at our creative studio. He covered not only how to get into the industry but also how to grow and thrive within it.

It’s always a privilege to help the next generation of creative minds take their first steps and envision their potential in such an exciting field.

Spark of an Idea

We’ve been developing a film that explores the birth of creativity and the journey of an idea growing into something grand. Initially, the project features performance-based art through dance and poetry, with creativity symbolised by a light spark that digitally evolves to represent various stages of the creative process.

This is an interesting, behind-the-scenes look at a few of the Ducks with an idea, all working hard to build a world of some sort to take the audience on a journey of creativity.

On this test shoot we were trying to build a world to express that feeling of that first spark of inspiration and following that creative path towards your finished work, be it a story, poem, film, painting, design, animation until you have something you love – and then having the courage to show people, to release it into the world and hear what they think of your baby.

The film was shot yesterday – there’s some exciting things to come!

storm56

We’ve been wanting to do this for a while, to have a workshop/lab type of space to show our creative flow to anyone that’s passing. Sometimes these are fully formed stories, sometimes just snippets of dreams.

Storm56 is a space where Fuzzy Duck’s wonderful creatives are free to explore their talents. So clients can see what else we can do, but it’s more than that. Fuzzy Duck was built on my desire (with absolutely no training) to write and direct a film. I persuaded a few mates to be in it and one of them had a friend called Nigel who was a camera operator. These films evolved to include corporate and commercial productions as well as dramas; I launched the company and several years later Nigel became a director at Fuzzy Duck’s film studio.

Some of the great leaps this company has taken have been from sparks of ideas that we were able to produce that lead to wonderful pieces of work for our clients. So, whilst it’s cool to just have the freedom to try new things, it does make practical, business sense too. If you love what you do, you work hard at it, if you work hard enough you become an expert and people pay experts well.

A few years back, Hayley turned her coeliac diagnosis experience into a positive one by making a film to spread awareness. We were able to help her to produce the award winning and massively popular Glutened! Fast forward a few years and Hayley’s been able to work with the Celiac Disease Foundation in the US and more recently We Love Cake on their gorgeous range of gluten free cakes for our sister company, The Pond..so you really can trace the steps back.

We’ll populate the page as we go and hopefully find a few older projects to show you where we’ve come from.

Please check out the work on the storm56 page and leave us a message to let the Ducks know what you think.

Dave Hartill

Exhibition design: The national football museum | Crossing the line


Exhibition:
The National Football Museum asked us to shine a spotlight on the history of women’s football in Britain in a new exhibition that was to lead up to the Women’s Euros. The story should explain the landscape surrounding women’s football through the ages, the time it was banned and those that pioneered to play the sport they loved – right through to the 2012 Olympics, professional women’s football up to the Women’s Euros. 


As it transpired the decision was made to split the exhibition into 2 halves, the first leading up to the ban in 1921 to be presented prior to the Women’s Euros, and the second half everything leading up to and including the Women’s Euros Championship 2022. At least this way we’d have an ending. And wouldn’t you know it, the Lionesses only went and gave this story the happiest of happy endings!

Taking the pioneers fighting the ban as our inspiration we heard the phrase, “Cross the line” a few times and it struck a chord with us. This can be the line between right and wrong, success and failure or even (during the war) between life and death; coupled with crossing the physical line of walking onto a pitch and we had our vehicle. Using a line acting as a timeline to link the creative but also give the story some vibrancy. 

Seeing women and girls from all ages enjoying the exhibition from youngsters starting out on their journey through to some of the first professionals was fantastic to see. Having some of the players from the European squad turn up to have a look around and pay tribute to the former players was a dream come true.


The Cinema Space:
Distilling over 100 years of the modern women’s game into one single film was always going to be a challenge but we overcame this by allowing oral histories to guide the narrative. Testimonies from influential players and administrators from across the generations made for a powerful account of the adversity they faced. To bring these words to life we added animation on screen text and graphics, reminding the audience of the powerful message, this is only the beginning.

Short film production: No big drama


A place for Angels
is a short film based on an adapted scene from a feature script we’ve written about a bare-knuckle boxing gypsy and a witch…obvs.

We adapted this scene to try and capture the essence and hopefully the magic of the full length film script. In this short, Danny the Dorn is reunited with his aunt Annie.

He wants to know why his mother killed herself when he was a small boy.
Annie, believing Danny has the power of foresight wants to know if she is to die.

We were able to find the ridiculously talented Karen Henthorn and Nathan Wright to play our leads and marvelled at how they brought these characters to life.

In addition to story telling, set design and production, working with and directing actors to blend a performance all adds to the experience of the team to develop their creative and technical progress….besides, playing make-believe is bloody good fun too – enjoy:

Ad land: The Pond

 

The Pond was the name we always gave our creative endeavours, be it personal or passion projects – they were always Pond jobs. We’ve recently moved this on to launch into the advertising space driven by Film Director, Hayley Repton. Using our creativity to drive a brand is nothing new to us but it has always before been an addition rather than the main focus…and you really need to be all-in in Ad land. To partner with clients who we really believe in and they us, and to give our all for each other – it’s us and you versus the world!

THIS IS THE POND!

And we’re already up and running, working with First Chop, a fantastic beer company that really push themselves through bringing people together and making time for each other. A message we can really get behind…it tastes bloody good too!

Hot-on-the-heels of First Chop are some wonderful ads coming soon for the Celiac disease foundation and clothing company San An, already shot in Ibiza.

We’ve launched an Instagram site so you can be part of our journey, take your shoes off an have a paddle:

March 2021

OREGA: Space to be you

As we take tentative steps towards the end of lockdown life, many businesses are starting to look ahead to returning to the office, but for some, office life from 12 months ago may no longer work for their organisation.

To address this issue, our client Orega, a flexible workspace provider, launched their “Space to be You” campaign. They asked our film studio for a suite of films to illustrate key features of their serviced offices, demonstrating the exceptional levels of hospitality that can be expected from an Orega lease.

Filming in September 2020, we had to factor in government Covid guidelines to ensure crew and client safety throughout. But restrictions force creative choices, pushing us to a variety of different shot angles and directing decisions, such as interior drone footage to explore these beautiful office environments.

“Fuzzy Duck did a great job once again in producing films that really emphasise the benefits of these offices and highlight the spacious design that every Orega workspace offers.”

– Laura Walker, Sales & Marketing Director, Orega

 


 

UNION CHAIN BRIDGE: 200 Years of History

Built to connect England and Scotland, the Union Chain Bridge on the River Tweed is the world’s oldest vehicular suspension bridge. Working with interpretation experts, Headland, we were asked to provide a digital solution for people to explore its heritage, stories and setting.

We developed an online website and locally-based exhibition accessed via people’s own mobile devices. On both, people could access a rich collection of stories, interactive content and film.

“Fuzzy Duck have provided us with a series of digital resources that really celebrate the history and heritage connected to the Union Chain Bridge. The team worked closely with us to bring our ideas to life in a creative and compelling way. It has been a pleasure to work alongside them.”

– Matt Storey, Audience Development Manager, Museums Northumberland Continue reading “March 2021”

July 2020

AND WE’RE BACK

So it finally happened. Lockdown restrictions were relaxed and we were able to get back to what we love doing most. Getting out on location and helping our clients tell their much loved stories. Our Head of Film, Anderson West, has been reflecting on the lockdown journey so far for our film studio team and how we’re getting back to it.

LINK TO BLOG >

 


 

INTERNET MATTERS

Adapting to an ever changing environment

We’re very fortunate at Fuzzy Duck, that even when lockdown restrictions mean that we can’t film, our versatile team can quickly produce alternative communication solutions.

We were all set up to start filming interviews at the Facebook HQ in London for our clients Internet Matters, when it became apparent that this would not be possible. We were able to quickly adapt our approach and switch from film to animation. In turning around a series of voiced-over animated films, we avoided delaying the launch of a fantastic new website offering advice to parents, children and young people with additional learning needs on how to connect safely on social media. Check out what Internet Matters thought of the animations at the link below.

Connecting Safely Online

You’re grounded

Whilst this is far from business as normal, we’re beginning to figure out what normal might look like in the future. Having a broad skillset with teams in Animation, Design, Digital and Film has enabled us to hunker down and continue to help clients whilst working from home.

And with this war-time behaviour comes firm decisiveness and an element of risk; something that I love and have always found we’re able to help clients perform better when they’re willing to take a chance. We put this Lockdown Ad together for the Warrington Wolves Foundation, to see what’s possible when all you’re armed with is a load of phone footage and good intentions.


We are finding out plenty of things about ourselves too, and the way we work that will help to shape the way the future looks. The two hour journey every day isn’t always necessary and it is possible have meetings and get creative collaborations going remotely.

I also find we’re being more sensitive to one another which I wouldn’t have predicted. If we’ve not spoken to a colleague for a while, we’ve found we’re more inclined to arrange a facetime chat than to pull up a chair…this is something I need to personally rectify once this is over. Likewise with our clients, we’ve been checking in on each other just for a chat. Better friendships make better partnerships so if you’ve not heard from us yet, feel free to give us a bell, just to say hello. And if you’re struggling to keep in touch with your clients or customers please give us a shout and we’ll do what we can to help.

Take care and stay safe

Dave


 

 


FUZZY COLOUR

A little help from the Ducks

To help beat the lockdown boredom, we took some of the illustrations created for our clients: Bawdsey Radar Trust, Chester Zoo, Hadrian’s Wall, Jaguar and Manchester United, and turned them into colouring sheets for your kids (or you!) to get creative. The winning entry came from 5 year-old George, who created this masterpiece.

 

Medically Speaking

Medicine: The Welcome Galleries Science Museum London

We were massively proud to be involved in this new £24m exhibition, which opened to some fantastic reviews at the end of 2019. With over 3,000 medical artefacts, these are now the world’s largest medical galleries.

Our role was to tell an artefact’s story and take the visitor on a journey. We don’t like to blow our own trumpet, so we’ll let the client do it for us:

Fuzzy Duck helped us craft beautiful, innovative and amusing graphics that brought the stories we wanted to tell to life, and also compellingly and simply communicated key principles we wanted to get across, such as how an MRI machine works, that could have come across as quite dense and complex.

The team were a pleasure to work with – alongside their creativity, it was impressive how they really immersed themselves in the content we provided. It would be a pleasure to work with them again.”

– Katie Dabin, Curator – Medicine

 

Wrapping up 2019

What do you want from life?

The typically un-Christmassy Fuzzy Duck Christmas film will be landing soon, check it out…

Some previous Duck Christmas films, from the ghost of Christmas past.

 


Manchester Animation Festival

Matt and Nigel recently spoke at the sold out “Making it in Manchester” event for MAF2019, sharing some insights into this industry and discussing what makes Manchester a hotspot for animation.


Major Events International – UK Sports & Venues Summit

Following on from recent success in the sports sector, we have concentrated our marketing efforts on developing this side of the business. In November we exhibited at the Major Events International UK Sports & Venues Summit, where we were lucky enough to meet some inspirational people, doing wonderful things for the world of sport.


City of Trees

At our recent Away Day, Dom motivated the team with a passionate presentation on climate change, compelling us all to re-evaluate our actions as individuals and as a company. This culminated in Dom and Kate finding themselves in a field in Salford on a wet November day, helping City of Trees and our neighbours from MediaCityUK to plant 500 trees. Definitely a day well spent!

 

 

 

 

Nice Weather for Ducks!

United Utilities Weather Idents

It seems a distant memory now, but back in the summer (on the hottest day of the year), we filmed the latest ITV Granada weather idents for United Utilities. With a strong water saving message, the filming featured UU employee Charlene and the wonderful Cleo (along with the odd duck popping up!).


The Royal Meteorological Society

The Royal Meteorological Society asked us for a visual tool for teachers to explain clouds and weather patterns to secondary school students. No strangers to a spot of cloud here in Salford, we set to work creating an animated news report.

Dr. Sylvia Knight, Head of Education at RMetS, said:

“It has been great fun and very productive working with Fuzzy Duck. We have loved the design elements they have brought to our project – which had a lot of technical and very precise content. We hope the film will be used in geography classrooms across the UK for many years to come!”


Fuzzy Duck Away Day 2020

The Ducks enjoyed their annual away day at Quarry Bank Mill… time to take stock, review the past year and plan the route ahead. We even had the chance to visit the work that we did for our clients Workhaus, on the mill exhibition designed by Mather & Co. (with Nigel acting as tour guide!). As we are rarely all together at the same time, this was the perfect opportunity to bid a fond farewell to Phil, who retired earlier in the year.

 


Two Little Ducks… 22!

And finally, we’d like to introduce the two latest members of the Fuzzy Duck family. Catherine Noone joins our animation team, and Rhys Parkinson-Judd is our new Web Developer, joining the digital team…taking the total number of Ducks to 22!

September 2019

Match made in heaven

Lili, our Parisian Senior Editor, was the perfect tour guide on her return to her home turf in a new exhibition in Paris Saint-Germain’s iconic stadium. Working with design consultancy Mather & Co, we created touchscreen interactives, animated timelines and a seven screen video projection film that captured the flair and passion of the club throughout the decades. We used a visual carousel to cut together footage of PSG’s greatest ever players, giving the illusion of them playing together in the ultimate attacking game.

Want to see some of the match highlights?

Click here to see our sports heritage showreel.


Ducks get invited to the palace

In collaboration with Workhaus, we’ve been bringing the history of Fulham Palace to life. Home of the Bishops of London for over 1,300 years, the palace has undergone extensive redevelopment and launched its brand new museum earlier this year. Using a mixture of new footage, animation and existing content for an introductory film, we also went LARGE with moveable installations and an enormous illuminated map.

With projection mapping, we added an abstract film depicting the history and emotions of the palace through the seasons, we also created 5 interactives which explored each of their historic rooms.

Fulham-02

Crafty little duckers

Chester: A Life Story

In this new digital world, there’s a certain sense of satisfaction in working with tactile materials which you can actually feel – Emma crafted some beautifully, delicate paper models providing our animations with an atmospheric backdrop, featured in a fantastic new exhibition ‘Chester: A Life Story’ by Big Heritage.

The heritage exhibition, which opened in April, is a hands on, interactive experience that offers something different to a traditional museum. The procurement process called for some exciting ideas, our solution was an animated hologram projected above a paper crafted village.


Knockaloe WWI Internment Camp

It’s amazing to think that the story of the 1st World War internment camp at Knockaloe on the Isle of Man, is one that was almost lost. Thanks to the passion and hard work of local couple Alison and Richard Jones, the story is now being brought to life in a brand new visitor centre.

“From the start our challenge was how to get across to our visitors what it felt like to be interned as an “enemy alien” at Knockaloe during WW1.

What Fuzzy Duck have created are three very different audio visual experiences to explain aspects of the story in a way which is interesting to absorb, but is also totally sympathetic to this sensitive and difficult aspect of WW1 history.” – Alison James

Read more about how this was achieved in Matt’s blog


Mika Quakkinenn

In other news… the Easter Bank Holiday weekend saw the annual Quays Duck Race for local charity MedEquip4Kids. Sadly, our racer “Mika Quakkinen” failed to live up to his namesake, but it was a fantastic day in the sunshine, raising over £10,000 for a fantastic cause.

Story-telling in sport

National Football Museum

The National Football Museum re-opened it’s doors this month to a fevered pitch (please excuse the pun). Among the new exhibits were two interactives we had the pleasure of creating. One telling the lesser known stories of the 1966 World Cup, and the other an exploration into what makes the England Manager job an (almost) impossible task.


Manchester United Museum

Following on from the work we did at Manchester United about the Munich Air Disaster, we have been kicking off a new interactive for an upcoming anniversary, which we look forward to showing you soon!


Activity Alliance

‘Me being Active’ are a series of films that we have shot over the last few years for Activity Alliance (formerly EFDS). We have been working on the re-brand which will be launching very soon.

* Dinnertime for Northerners

Duck Tales – October 2018

Internet Matters

Back to School Campaign
For parents, the web can be a source of anxiety with what your children can be exposed to. Internet Matters offer practical advice to both parents and children on how to navigate their way through the online world.

In a new ‘Back to School’ campaign, we filmed the perspectives of parents, teachers and experts, as well as the children themselves. View here.


University of Sussex

Ask me
Following on from the film work we’ve done for University of Sussex, here’s a simple but effective campaign to help Freshers to get to know their new environment and ran as GIF’s across social media.


University of Salford

Media Mash-Up!
We were invited to attend the University of Salford ‘Media Mash-Up’ – an event for Freshers starting on their media adventures here at MediaCityUK. Handing the reins over to the students, we let them try their hand at some stop-motion animation. The winning entry will be invited to spend some time in the studio with the Ducks. Here’s a sneak peak at what they came up with…

Duck Tales – September 2018

The Toolbox

Forest
Our friends at Forest asked us to build an animation to ask tradesmen, “What’s in your toolbox?” and discover the benefits of NIC-EIC & Elecsa Insurance; and the possible trauma when dunking biscuits.


Brother Dystopia

PRCA Digital & Social Media Campaign of the Year 2018
Manchester-based agency City Press approached us to put together a film for Brother. An office disagreement quickly descends into Armageddon, with the desperate office manager the unlikely hero of the hour. The film has gone on to be awarded the PRCA Digital & Social Media Campaign of the Year for 2018.

Duck tales – August 2018

A Voyage of Discovery

Discovery Point
There’s nothing more satisfying than seeing a project which we’ve put our heart and souls into, reaching completion and being enjoyed by the public. When Dundee Heritage Trust asked us to bring to life the fascinating story of Captain Scott and his voyage to the Antarctic in RRS Discovery, we knew this would be an exciting project to work on. Using film, animation and interactive media, we were able to transport the visitor back in time, to discover for themselves the perilous expedition undertaken by Captain Scott and his crew. Click here to view the full film.

“From their initial tender proposal, we could tell that Fuzzy Duck were going to give their all to the project. They put a lot of time and thought into understanding our needs and aspirations and also researched the subject matter thoroughly. They had a great team of people on the project – professional, obliging and client-focused. Most importantly they were very creative!”

– Gill Poulter, Heritage Director, Dundee Heritage Trust

 


 

The Perfect Shot

Animating the Armouries
Sticking with the heritage theme, here’s a sneak peek at some work we’ve done recently for the Royal Armouries Museum in Leeds. Our film studio were asked to produce an introduction film to promote the museum and its activities. Combining archive footage with our own film and animation, we were able to give a real flavour of this historic collection.

 


 

Ducks out of Water

A day away from the pond
We took a day out of our busy schedules and relocated to Tatton Park for the Fuzzy Duck Away Day. With three new Ducks recently joining the team, it was a good opportunity for everyone to spend some time together away from the studio, share ideas on our plans for the future and generally get creative.

Chester Zoo – Targeting illegal wildlife trade

Working with Chester Zoo to tell the story of the ivory process from product to source.

Chester

Inspired by Chester Zoo’s branding, Fuzzy Duck went all fuzzy felt on this one for nostalgia and a powerful contrast with the hard-hitting subject matter. The animations, designed to appeal to both children and adults, are to be exhibited around the Zoo, as well as being used as learning tools and online.

Fuzzy Duck do e-learning

Fuzzy Duck and e-learning may seem like a strange fit. But when you piece together the interactivity we use in our heritage and exhibition work, coupled with the ability to simplify complex detail for a specific audience we use on our corporate work…it all makes perfect sense.

Being able to call upon our expertise in our design studio, film studio, and animation studio with the ability to tell a well-loved story ensures that Duck e-learning is always an engaging experience.

GlugMCR #4

Matt did a talk at Manchester’s Glug networking event last month.

Although the majority of the animations that we produce are created to be viewed on screen, some of the work is made to be viewed in different ways. His talk looked at some of the approaches that we have taken in our work in weird and wonderful places, from Castles to Crypts.

http://glugevents.com/watch/2017/fuzzy-duck

Is History Screwed?

Historians, museum curators and academics have argued about the need for physical archives for research. But I thought as a digital producer it would be interesting to hear from the other side of the coin.

A few weeks ago, I was at the pub with my wife and daughter after a great day out. Unfortunately during a toilet stop, the phone, and the photos it contained, slipped out of my daughters hand and dropped down the loo.  The phone itself perished, but the media it contained lived on – preserved on a cloud backup.  Thank the lord for digital.

Despite technology saving the day, I began to ponder on how digital is such a flippant format.

In the modern age, the way we capture information, and indeed how we chronicle our personal lives, is fully reliant on media formats that are constantly changing.

More concerning, millions of our photos and videos are contained within digital vaults, with the likes of Mark Zuckerberg and Tim Cooke, the current custodians of our precious, captured moments.

This is where the title for this blog comes in.

Recently, Fuzzy Duck were commissioned to create a series of animations about ancient Egypt for The Atkinson Museum in Southport. In Egyptian culture, Hieroglyphics were essential to explain ideas about death. The only reason we can tell this ancient story is because the evidence is still in existence as painted marks – in this case on a Sarcophagus.

When we made a film for the Royal Fusilier Museum, telling the story of six Victoria Cross medals won before breakfast at Gallipoli in World War One, we were fortunate to have access to the Museum’s fantastic archive of primary evidence.

This included diaries, post cards and love letters – each story preserved in physical format, a tale of humanity, still relevant 98 years later.

So what, you say?

Let’s fast forward another 100 years.  Our methods of communication have changed quite a bit. Our stories are told through iMessages and Instagrams – memories collected not in the physical, but in binary state; scattered across devices and locked away within encrypted accounts.

We risk losing access to these formats too. How many of you have now still own a floppy disk, or even a CD Rom? In a hundred years, will we even have the means to load these digital formats? What if Facebook folds and the servers are shut down?

With platforms such as Dropbox, G-drives and iCloud, we are not only causing historians a problem, when they don’t have our pets names to break the password protection, but soon this data may not even exist.  We can’t predict the future of these companies, we’re so heavily reliant upon for the curation of our social media.

What do people who create film and digital interactive think about these views?

I love digital as a means to access the organic and physical, but as a way to preserve, protect and leave for our children and their children, it is shit.

So do me a favour, next time you’re swapping phones, or writing the email that declares your love for someone, make a backup. Or the moment you realise the Mona Lisa is actually really small, don’t text it, write it.  Write it on a piece of paper, with a pen. So people can leave it in a shoe box for another generation. And when you do discover an artefact in print, think about sending it to a museum. We really need museums to be supported and stay open long enough to hold it for the next generation of historians.

PS: I wrote the above in Jan 2016. Revisiting now in Feb 2017, I realise a lot has happened.

As we move further and further into the digital age, the reliance of the physical is becoming urgent. Throughout history the most important people are the ones that are “leaving a very light trace” Dr Roisin Higgins, BBC Today Programme

She was talking about the women who wrote letters to Mrs Pennyman asking for help after their husband did not come back from the First World War. These letters, found in her house by volunteers cast a great picture of women in the 1920s.

As I conclude this blog, we have seen social media now spouting ‘fake news’ –  content easily changed illustrated by the White House website suddenly having no reference to the LGBT community or the words Climate Change. We are still seeing continued attempts to deny the Holocaust just as the last of the eye witnesses remain alive it shows, having evidence in your hand to prove what is real, means that this blog, in my view, takes on far wider issues than simply if my family pictures are safe.

I’m gonna just hit the print button now and stick this in my loft…just in case.

After hours

Fuelling our desire to stretch the creative muscles further, many of us pursue what could be classed as extra-curricular activities!

Diembe

One Duck who has well and truly done just that, is Anderson, who has been particularly busy over the past 18-months. His short film ‘Diembe’ has just had its premiere with a great turnout and the Ducks were there in force to support him. The film is about a young Kenyan boy who moves to the North of England in the early 2000s dealing with racism and acceptance. Anderson raised £7,000 by crowd-funding with Kickstarter in order to make the film.

Several Ducks were involved in the production, Dom was in the film crew, Lili worked as editor, Seb and Becky designed the artwork and promotional material and Dave played the role of a grumpy school teacher…naturally.

View the trailer here.

Nat Wood Draws

After being asked to pen numerous addresses and other bits around the office, Nat spotted a demand for her handwriting and so spent many an evening working away on creating her own script typeface titled ‘Natwooddraws’.

Expecting only a handful of downloads, Nat got a shock when she checked just a few days later to discover it had been downloaded several thousand times. Having since been contacted by people and businesses wanting to use it in their commercial projects, Nat’s handwriting has now been used around the world. From a children’s book in Australia, to a Dim Sum Restaurant in Amsterdam, Natwooddraws is now up to 25,000 downloads.

Download the font from www.dafont.com/natwooddraws.font

Elizabeth & Kate

Our Emma has recently set up a small business with her friend called ‘Elizabeth and Kate Designs’. The wild duo spend their spare time designing and making personalised frames, crafting papercut gifts and keepsakes. Several Ducks have since commissioned their skill in creating beautifully detailed, framed papercuts and cards for new arrivals and birthdays. They are now creating festive gifts and decorations in the lead up to Christmas, before expanding the range of designs and products in the New Year.

Check out their Facebook page at www.facebook.com/elizabethandkatedesigns

Saucy Butty

Not wanting to be left out, Dave & Nigel would like to let you know that their short film: Saucy Butty (a who-dunnit set in a greasy spoon cafe) will be released this year.

Check out the website: www.saucybutty.co.uk

Success…it’s all relative

When I began playing rugby league at the age of 16 I decided that I was ready to take sport seriously and try to become a professional player. So I played for an adult team, I learnt to keep my head down and how to compete with much stronger players. I found myself at a professional club on an amateur contract with a load of other guys in a similar boat and I learned from the guys that had been around longer than most, these guys exist in almost every profession. They’re the ones that don’t boast (generally because they don’t need to but also because they aren’t too fussed with status), they are all concerned about the work. They will also be the ones that don’t moan or brag about all the effort they’re putting in. However, once a training session has finished, these same guys would be doing extra work after everyone else has gone home. I followed their lead and in two years at this club I was offered a professional contract.

Now okay, my signing-on fee was a bag of chips (and didn’t dare hold out for a tub of gravy) when other players were signing for tens of thousands but that wasn’t the point. My goal was to get signed and be paid to play sport. Job done.

I would route the diligence that is needed to build a company back to this – it’s quite simple: work hard, improve and reap the benefits. Continue reading “Success…it’s all relative”

Is this the coolest job in the world or what?

If you work in the creative industry and it’s not the coolest job in the world, you either really need to try harder…or quit and work somewhere else…or maybe this line of work simply isn’t for you.

The wonderful thing about design is the optimism of endless possibilities. Every time you begin a piece of work you have a shot at greatness, the adoration of your peers, awards, fame, fortune…it only takes one unique idea and the world is yours. Back in the day, I would have the excuse that the tools or the execution would inevitably let the final vision down. But now, our toy box is full and we dip into it daily to aim for the stars…or at least, that’s the idea.

Anderson God of the Sea

At Fuzzy Duck we often urge each other to make the next piece of work better than the last one, but it is easy to forget this when you’re working on familiar jobs, familiar brands. Jobs where you just know that you can place this here, that there, you can construct a very accomplished design or film that (importantly) you just know the client will like – or at least be satisfied with. But, that isn’t aiming for the stars is it?

By producing our very best work, our clients stand out from the crowd, if our clients get noticed, so do we. Of course form must follow function; we’re not artists, we’re commercial artists*. But it’s all too easy to forget what an opportunity and a privilege every day at work can be. I really mean this. To mould your dreams into reality – how cool is that? …that is what we do.

So today I will try to push towards greatness, to rummage through that toy box and build something completely fresh that will inspire, not only the target audience but myself.

Dave Hartill

* We’re not simply here to please ourselves as the creativity must work on a commercial level and do it’s job first before we can concentrate on whether it pleases us. If we get it right, it should do both.

Are we there yet?

In the past we have spoken about design, this industry we love, what inspires us towards creativity and reaching our end product. I decided to write my blog about the business itself and the things I have learnt along the way. This has the risk of sounding a bit self indulgent (even for a blog) as we have barely started down our path but who knows, there may be some guys at the start of their journey?

I set the company up over 10 years ago; 2 years later the turnover was £14k working from the spare room in my Mum and Dad’s house. 2 years later I had my own office and one employee, in 2015 there are 14 of us, we are based in MediaCityUK and turnover just above £700,000…like I said, we’ve not broken any records and there’s a long way to go, but still the business is moving in the right direction.

Many agencies are spawned from working for large agencies, getting a few loyal clients then pinching these clients and leaving to set up your new agency with a ready made set of accounts…this blog may not be for you. I set up Fuzzy Duck in 2004 without any clients or work with any brand names in my book, and not a lot of work that I was particularly proud of…and I had just turned 30!

Okay, I digress – I’ll save ‘my story’ for another blog. The business of design, here’s what I know:

Hire people who are, or have the potential to be better than you
Alex Ferguson knew he wouldn’t get far only hiring players he was better than and neither should you. If the teacher is any good, the apprentice surpasses the teacher

New Ducks
When interviewing people you need to be sure you get the right person, but equally they need to be sure that they get the right crew. Allow any potential new recruits to wander around, shadow the team and ask any questions to anyone while they’re here. Work life is a massive commitment, you need to be sure that you want to turn up and put a shift in every day.

Everyone gets a say
If you are successful working for yourself, you may decide to employ people. We are now up to a team of fourteen though I never wanted to dictate, man-manage or constantly oversee work…not only is this not a lot of fun but can stifle creativity. You do need to have the confidence in your own ideas to be able to direct others and say “I don’t like that because…” Always have a reason why something doesn’t work for you. But allow the guys who have joined the company to add value to the company by doing what it is they do.

Team structure
I decided to break the group up into work teams and have team leaders manage their own group, deadlines and clients. All departments work together and meet often. Part of my job is to coach the managers and help them to get the best from their crew and how to communicate with clients.

Everyone knows how much we (need to) make.
I would much rather work for a company where we all know if we are doing well and we all know if we aren’t. In Fuzzy Duck, everyone knows how much the company needs to make each month to stay in business and (hopefully) how much profit we make every month. This way employees can see if and how much profit we make, if they should ask for a bonus, if the business is doing well and in short, take ownership of the commercial side of the business. The problem many companies have is staff retention, but then they don’t place any faith in their team. The team have no ownership of the company. This socialist kind of idea makes total sense to me as I always wanted to have a company where everyone can see clearly their achievement and feel as though they are part of something.

Respect for clients
I have worked in agencies where they constantly complain about the people who are paying their wages. Managing clients is a two way street, you both want what is best for each job. Usually if they aren’t giving you the relevant feedback it is because the problem hasn’t been properly explained to the client. Speak in terms of hours with clients so they are aware that the time spent on a job costs money, if you have budgeted a job clearly then any add ons should be flagged up immediately so you can amend the quote to get the correct PO or there are no shocks once the invoice is sent. Listen to the client, they know their industry.

You’re the expert
Clients have chosen you because you’re the expert. When you begin amending your design so much that you are following instruction of the client, you aren’t doing your job…they are. So you better have a good reason for producing a design the way you want it, because you will need to communicate this to the client when they start to change it beyond recognition.

Each job should either look good in your book or make you money
If it doesn’t do either, don’t do it.

Get paid
Sounds obvious, but many of my contemporaries struggled with this concept. Because they enjoy the work they almost feel like they’re being rude asking for the money. Agree a price, finish the job, post your invoice.

Be nice
Sounds a bit naff this, but I never wanted to be JR*, the ruthless business man who would burn people to get ahead. Opportunities to screw people over, do present themselves from time-to-time but I always try to see if there is a way to mediate and build on a relationship rather than a quick win at someone else’s detriment. Usually these things tend to depend on which way you are viewing a problem and if you can switch your perspective, a better resolution or collaboration can usually be sort…however, if you go up against us in a pitch, you’d better be on your game.

Have a laugh
In meetings, the name of the company is often questioned, but (without going into detail) I really just wanted to work somewhere that would be fun. I figured that if I called it Fuzzy Duck, we couldn’t take ourselves too seriously and I could help to build the kind of company where I would really like to work. Besides this is art, creativity, we tell stories and make cartoons…it’s the coolest job in the world.

Are we there yet? Of course not, but I suppose that’s the problem with ambition. I have long held the view that if you are successful you will be happy, I’m now trying to adopt slightly different perspective that if you are happy, you will be successful…my final point is to try and enjoy the ride.

Dave

* – cultural reference kids, to Dallas, hit TV show from the olden days

New Year, new opportunities, new challenges

New Year, new opportunities, new challenges
By Alistair Monaghan

The New Year has brought the opportunity to reflect on the past 12 months, it’s been an eventful 2014 for Fuzzy Duck – we’ve moved ponds to MediaCityUK, recruited new staff, attracted some exciting new clients, learnt new skills and collectively become a greater force.

Increasingly I’m seeing colleagues in all our departments experiment with advances in technology and coding, something that brings a smile to our faces and makes our clients say wow! It’s a pleasure to work alongside creative individuals, personally because I think this really makes the Digital team tick and commercially as this will ultimately stand us out from the crowd.

2015 also brings new challenges – building links within MediaCityUK and a constant hunger to push our boundaries, to deliver stunning pitches and build on the good name we’re making for ourselves.

Among my many personal challenges I have recently discovered I’m going to be a father…to a boy! Better make the most of sleeping while I still can.

All the very best for 2015!

Searching for Nick Sharratt

We were lucky enough to get the opportunity to film children’s book author and illustrator Nick Sharratt for an exhibition that we worked on along with our friends over at Leach Colour. Nick is famous for his illustrations for popular children’s authors Jacqueline Wilson, Jeremy Strong and Julia Donaldson. As an illustrator and former Library Assistant, Nat couldn’t wait to meet him in our boardroom on the day of filming.

The big day arrived and Nat hurried into the office, anticipating the arrival of Mr Sharratt. Only to find, to her horror, that the filming had been moved to another location and so her hopes of getting to meet this member of illustrator royalty were dashed! That is, until the company laptop needed dropping off at the filming location. Nat ran out of the door, laptop in hand and hurried over to the location in search of her idol. Upon arrival, Nat approached, wondering what she would say upon entering. Suddenly the door opened and a man asked, “Is that the laptop? Thanks!” intercepting her one and only ticket to meeting Mr Sharratt himself. Better luck next time!

It was fascinating working on this project and getting to see some of Nick’s early work, particularly illustrations that he created as a child and at university. The films we created, tell the story about how Nick became the well-known illustrator that he is today, as well as how to create a picture and colour it in. It’s great when a project comes along that ties together all of your passions and interests like this has, with our love for illustration and children’s books. We particularly enjoyed animating the intros and outros for the films, designing them to be in-keeping with Nick’s unique style.

The exhibition titled “Pirates, Pants and Wellphants”, is currently touring the UK.

Major Lee Hungry

Good day! My name is Major Lee Hungry, and I’ve been asked by some rather spiffing chaps in Stockport to tell you all about whom I am! I was born in Cheadle in 1889, christened as Leroy Matthew Hungry. After finishing school I found a job at the local bakery sweeping the floors and cleaning the surfaces. The cakes there were simply divine. Every time I thought I did a good days work, I treated myself to a cake. However, I hadn’t worked 3 days before they replaced me.

On 28th July, World War One started. I was called up to the war! What an exciting time. It didn’t take long before I was in battle. It was particularly scary, but I knew what an honour it was to fight for my country. I got the idea that my company didn’t have a plan, so I started coming up with my own ideas to win the war!

Major Lee Hungry was our second entry into the 3D Print Cup. The requirements of the competition were that it needed to have a moving part. We started by sketching a couple of designs and refining them, before building the model in Cinema 4D. After having the character 3D printed, we then sanded the plastic to give a smooth finish, before prepping and painting the figure. Some of the detail was so small that it had to be painted with a sewing needle! The propeller on the top of the helmet spins, but judging by the size of his belly… we doubt he would get very far!

Follow Major Lee Hungry on Twitter

Getting hands on and stuck in

This month in the pond we got a bit hands on. We rolled up our sleeves, got out the scapels, string and nails and ensured our sketchbooks were to hand.

We’re also really excited about getting involved in a 3D print competition and are putting the finishing touches to it as we speak.

A few new threads

new-threads01

We’ve been looking at new ways to incorporate diffferent materials into our work. It was great to see how something so tactile could then be translated into a piece of motion graphics to give a unique look and feel.

Projection mapping

 

Whilst developing ideas for a brief, we explored how we could integrate real objects together with film and motion graphics. It was very exciting to see how we could not only incorporate vision but also to explore how we could sync it to sound.

3D Printing – Major Lee Hungry

At the end of April we went along to the launch of Cartridgesave’s 3D Printcup. Last year we enjoyed the buzz of meeting new people, discovering new ways to incorporate technology into our own projects and ending up with a 3D print of one of our own characters!

Check out the competition at http://www.cartridgesave.co.uk/3dprintcup

We’re hard at work to get him ready for the wrap party in a couple of weeks time, but if you’d like to see his progress follow him on Twitter.

Follow Major Lee Hungry on Twitter

Fuzzy Duck Film Night: Judgement Day

One cold and wet afternoon in March of this year, a new email appeared in every duck’s email account; the time had come for Film Night once again. What is Film Night? It’s a night of popcorn, laughter, pizzas and beer as everyone brings in a scene from one of their favourite films to show their fellow colleagues.

On the surface, it’s a fun and relaxed night. But deep down, the choices you make might just be the most important decisions of your life. Picture a young Andy Salamonczyk in 2012 – eager to impress and anticipating his Film Night debut. The crowd cheered with joy as I showed a scene from Tom Hanks’ Road To Perdition. I was on a high. The pizza tasted terrific. I sat back, proud of what I’d chosen on this important night, as everyone else showed theirs. An hour later my name was read out once again. The second scene I showed was from Zidane: A 21st Century Portrait, a French art-house documentary.

I wish I could go back in time now and tell myself to show something else. Anything else. Even an Adam Sandler film. As the scene played out on the TV, I looked back to see what everyone’s reaction was. It was disappointment. The clip finished, and people looked lost for words. I felt embarrassed and ashamed. I had ruined Film Night.

Film Night is Judgement Day here is Stockport. You either win or you lose. It’s like a job interview, but it matters more.

Almost 2 years on now, and I feel like a valued member of the company. People have put the past behind them, and accepted me back into the group. A new duck, Dan, has recently joined the company. I hope he flourishes on his debut and doesn’t make the same mistake I did

* Update: Andy left shortly after and moved to another country.

Manchester let’s ‘ave it: come on, group hug

One pissed-off little duck!

As the 2011 UK Riots moved North, any oppression displayed in Tottenham was replaced by savage kids wanting leisurewear. I had a rare half-day holiday, I was driving home listening to the radio and I was angry: at the cretins who had ruined the livelihood of others for new trainers, at the North West for letting itself down, but right then (I’m ashamed to say) I was also angry at the “I ♥ MCR” logo that was plastered all over the web and the city. Not that the sentiment bothered me but Manchester is one of the most creative cities on the planet and here they are ripping off New York. I agree that my priorities may be in question but maybe also this was just the one area where I could effect the situation.

I thought of a familiar Manchester slogan, “Let’s ‘ave it!”…thank you Liam. I wrote this out in capitals – it was obvious and epitomised how I was feeling. So before I took the kids to Alton Towers I quickly threw this together at home, tweeted it and asked the guys back at FDHQ (who clearly didn’t have a clue what I was banging-on about) to put it up for the next week as the landing page on our site. Before I had finished riding the Oblivion, the logo had been re-tweeted to over 300,000 people that same afternoon.

A few things came from this germ of an idea. Firstly, if you are passionate about something, pursue it. If you can somehow invigorate design with honesty and energy, do it. Secondly, whilst I’ve always had a working-class attitude towards creativity (as with sport I feel practice makes perfect), I also believe that often the best ideas come from relaxed thinking. It is when your mind is wandering freely that ideas will present themselves.

One of the people who received the tweet was feeling the same way and wanted to fight back against the riots using her own particular skill…and this lead to another, unexpected turn.

Project underdog

Jo Lloyd was also livid about the riots and perhaps being from the same generation as most of the looters she felt the need to shout back. She made a lot of phone calls and by the time she called me she had lined up a music production team, a recording studio for a weekend, a whole swarm of youngsters wanting to sing, a community charity to make best use of any profits and had also secured the rights to a Linkin Park track…we were impressed, and agreed to shoot the video.

In a similar vein to burning books and the social meltdown this symbolises, many of the kids trashing Manchester had attacked a music store and were smashing up the instruments. This music store was a client of ours called Dawsons and one of the damaged instruments was a piano that Dawson’s donated to be shown burning in the video. So from the worry of the riots and trying to use our talents for good over evil, through to the revelation of Nigel’s pyrotechnic tendencies on the evening of the shoot, this was a real adventure for the Ducks.

Project Underdog – Trailer

Project Underdog – Iridescent